Albert Julius Olsson distributes its values across the middle register, creating harmony without high contrast. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #A19871, is reserved to 10.0% of the surface, where it acts as a focal punctuation. 47 units of value spread create a palette that is varied but unified - contrast in the service of harmony. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 5 of Albert Julius Olsson's sequence - a single chapter in a chromatic story told across many works.