Albert Julius Olsson is high in key: pale, luminous, and filled with optical air. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #C7BBA2, is reserved to 12.4% of the surface, where it acts as a focal punctuation. The palette spans 41 value units: a measured range that delivers coherence over drama. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 2 of Albert Julius Olsson's sequence - a single chapter in a chromatic story told across many works.