Albert Herter distributes its values across the middle register, creating harmony without high contrast. Warm hues command this palette; Albert Herter favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #A93F30 at 18.5% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. The value range of 52 units sits in the comfortable middle: enough depth, enough light, neither extreme. In the context of Albert Herter's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.