Albert Edelfelt works in the upper reaches of the value scale, creating an atmosphere of brightness and expansiveness. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #D6D0B4 - appears at just 11.3%, deployed as a precision accent against the quieter ground. 62 units of value range underpin the palette's structural clarity: the eye always knows where light falls. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 2 sits within the larger chromatic argument that Albert Edelfelt's complete body of work advances.