Abraham Storck keeps values measured and balanced, a hallmark of tonal restraint. Abraham Storck tilts toward cool - blues and silver-greys carry the structural weight. Chroma is held at a comfortable level - distinct colours, but no single hue is allowed to overwhelm. Only 4.3% is devoted to #413416, yet that small allocation delivers the palette's entire chromatic tension. 57 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 4 sits within the larger chromatic argument that Abraham Storck's complete body of work advances.