Winslow Homer is high in key: pale, luminous, and filled with optical air. Winslow Homer tilts toward cool - blues and silver-greys carry the structural weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #291817 at 3.3% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. The value range spans 66 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 4 of Winslow Homer's sequence - a single chapter in a chromatic story told across many works.