William Magrath distributes its values across the middle register, creating harmony without high contrast. Temperature is cool-dominant, with blue and green families claiming the largest areas. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #D0CBB7 claims 29.5% of the surface, functioning as the work's tonal foundation. #8F7849 functions as the palette's exclamation mark: highest chroma, lowest percentage (2.2%). Spanning 53 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 2 of William Magrath's sequence - a single chapter in a chromatic story told across many works.