William Henry Mander occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature is cool-dominant, with blue and green families claiming the largest areas. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. At 7.7%, #C3A778 carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. 51 units of value spread create a palette that is varied but unified - contrast in the service of harmony. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that William Henry Mander's complete body of work advances.