William Henry Hunt is strongly light-biased - shadow is suggested rather than declared. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. Only 8.4% is devoted to #806447, yet that small allocation delivers the palette's entire chromatic tension. The value range of 48 units sits in the comfortable middle: enough depth, enough light, neither extreme. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. William Henry Hunt's palette 2 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.