The value structure of Wilhelm von Schadow is mid-key: quiet, controlled, and cohesive. Warm hues command this palette; Wilhelm von Schadow favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #8C3E19 - appears at just 5.0%, deployed as a precision accent against the quieter ground. A value spread of 56 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. This is palette 1 of Wilhelm von Schadow's sequence - a single chapter in a chromatic story told across many works.