Ustad Mansur is strongly light-biased - shadow is suggested rather than declared. Temperature is cool-dominant, with blue and green families claiming the largest areas. Mid-saturation across the board: the palette has colour character without chromatic excess. The highest-chroma note - #CB9E47 - appears at just 8.4%, deployed as a precision accent against the quieter ground. 41 units of value spread create a palette that is varied but unified - contrast in the service of harmony. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. In the context of Ustad Mansur's full range of palettes, group 2 represents one movement in an ongoing chromatic dialogue.