Thomas Sully occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Warm hues command this palette; Thomas Sully favours the reds, oranges, and yellows of firelight and earth. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #141112 claims 33.5% of the surface, functioning as the work's tonal foundation. #F1DDC4 delivers the chromatic peak at only 2.6% - a small shot of colour with outsized visual impact. 73 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Palette 7 sits within the larger chromatic argument that Thomas Sully's complete body of work advances.