Thomas Stuart Smith occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature reads distinctly warm: the reds and earth tones from Thomas Stuart Smith carry the compositional weight. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #6C4C34 - appears at just 8.4%, deployed as a precision accent against the quieter ground. Value range is moderate at 54 units - enough contrast for legibility, not so much as to fragment the tonal unity. This is palette 2 of Thomas Stuart Smith's sequence - a single chapter in a chromatic story told across many works.