Thomas Smith works almost entirely in the lower half of the value scale, privileging depth over brilliance. Warm hues command this palette; Thomas Smith favours the reds, oranges, and yellows of firelight and earth. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. A single dominant - #251E1B at 25.9% - sets the character of the whole composition. #3A2014 delivers the chromatic peak at only 8.2% - a small shot of colour with outsized visual impact. 53 units of value spread create a palette that is varied but unified - contrast in the service of harmony. This tonal restraint is characteristic of the Thomas Smith approach: colour serves light, not the reverse. Thomas Smith's palette 1 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.