Thomas Jones occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #223638, is reserved to 5.7% of the surface, where it acts as a focal punctuation. Value range is moderate at 52 units - enough contrast for legibility, not so much as to fragment the tonal unity. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 3 sits within the larger chromatic argument that Thomas Jones's complete body of work advances.