Thomas Hill is high in key: pale, luminous, and filled with optical air. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. The saturated accent, #6C5328, registers at 5.5% - sparse enough to feel like a deliberate surprise. At 71 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 2 sits within the larger chromatic argument that Thomas Hill's complete body of work advances.