Thomas Hardy dwells firmly in the shadows, with no more than a whisper of light. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. At 28.8%, #2C2315 functions less as a colour accent and more as a complete atmospheric environment. The most saturated colour, #482718, is reserved to 4.5% of the surface, where it acts as a focal punctuation. The full value range is 63 units: broad enough to build convincing three-dimensional form. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 4 of Thomas Hardy's sequence - a single chapter in a chromatic story told across many works.