The value structure of Theodore Gudin is mid-key: quiet, controlled, and cohesive. Warm hues command this palette; Theodore Gudin favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #C3AA7E, is reserved to 5.5% of the surface, where it acts as a focal punctuation. 47 units of value spread create a palette that is varied but unified - contrast in the service of harmony. Palette 5 sits within the larger chromatic argument that Theodore Gudin's complete body of work advances.