Theodor Philipsen occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature is cool-dominant, with blue and green families claiming the largest areas. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. Only 3.0% is devoted to #B6932E, yet that small allocation delivers the palette's entire chromatic tension. At 55 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 6 of Theodor Philipsen's sequence - a single chapter in a chromatic story told across many works.