Simon Pietersz Verelst works almost entirely in the lower half of the value scale, privileging depth over brilliance. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. A single dominant - #0B0A0D at 29.9% - sets the character of the whole composition. The highest-chroma note - #B34721 - appears at just 3.9%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 67 units of the value scale - a span that creates natural depth. This tonal restraint is characteristic of the Simon Pietersz Verelst approach: colour serves light, not the reverse. Palette 5 sits within the larger chromatic argument that Simon Pietersz Verelst's complete body of work advances.