Shin-hanga is strongly light-biased - shadow is suggested rather than declared. The palette tilts toward cool - blues and silver-greys carry the structural weight. All colours lean toward grey, building depth through value rather than colour punch. #F7EAC7 claims 41.0% of the surface, functioning as the work's tonal foundation. At 0.9%, #EF5A4B carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. At 65 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.