Samuel Scott distributes its values across the middle register, creating harmony without high contrast. Samuel Scott tilts toward cool - blues and silver-greys carry the structural weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #282519 - appears at just 6.9%, deployed as a precision accent against the quieter ground. Spanning 50 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 3 of Samuel Scott's sequence - a single chapter in a chromatic story told across many works.