Light floods Robert Alott; the palette keeps values pale and airy across its range. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. 26.9% of the palette belongs to #C3BEAC, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #968263 - appears at just 3.6%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 55 units of the value scale - a span that creates natural depth. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 1 sits within the larger chromatic argument that Robert Alott's complete body of work advances.