Richard Jack distributes its values across the middle register, creating harmony without high contrast. Warmth dominates - the palette of Richard Jack leans heavily on the yellow-orange-red arc of the colour wheel. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #7A4F35 delivers the chromatic peak at only 8.2% - a small shot of colour with outsized visual impact. 49 units of value spread create a palette that is varied but unified - contrast in the service of harmony. Palette 2 sits within the larger chromatic argument that Richard Jack's complete body of work advances.