Mid-key values give Richard Gerstl its characteristic quietness - nothing blazes, nothing disappears. Richard Gerstl tilts toward cool - blues and silver-greys carry the structural weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. #30384A delivers the chromatic peak at only 4.0% - a small shot of colour with outsized visual impact. The value range spans 64 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 10 sits within the larger chromatic argument that Richard Gerstl's complete body of work advances.