Rembrandt is built on dark foundations, with values clustered toward shadow. Warm hues command this palette; Rembrandt favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. 47.8% of the palette belongs to #090709, a concentration that makes it the unmistakable visual centre. #DFC285 functions as the palette's exclamation mark: highest chroma, lowest percentage (1.8%). At 69 units of value range, the palette has the tonal breadth to sustain complex spatial readings. This tonal restraint is characteristic of the Rembrandt approach: colour serves light, not the reverse. Palette 20 sits within the larger chromatic argument that Rembrandt's complete body of work advances.