Mid-key values give Pieter Aertsen its characteristic quietness - nothing blazes, nothing disappears. Pieter Aertsen orchestrates warmth above all else - reds, ambers, and siennas take the lead. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #B16F55 - appears at just 5.5%, deployed as a precision accent against the quieter ground. At 55 units of value range, the palette has the tonal breadth to sustain complex spatial readings. Palette 3 sits within the larger chromatic argument that Pieter Aertsen's complete body of work advances.