Pedro Lira distributes its values across the middle register, creating harmony without high contrast. Yellow, ochre, sienna: warm hues that Pedro Lira deploys as the palette's primary energy. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #A24B29, is reserved to 8.0% of the surface, where it acts as a focal punctuation. At 63 units of value range, the palette has the tonal breadth to sustain complex spatial readings. Pedro Lira arrived at this balance through long practice; the palette carries the weight of that experience.