Paul Kane is strongly light-biased - shadow is suggested rather than declared. Warmth dominates - the palette of Paul Kane leans heavily on the yellow-orange-red arc of the colour wheel. All colours lean toward grey, building depth through value rather than colour punch. The highest-chroma note - #4F2D17 - appears at just 6.1%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 58 units of the value scale - a span that creates natural depth. In the context of Paul Kane's full range of palettes, group 2 represents one movement in an ongoing chromatic dialogue.