The value structure of Paul Hocker is mid-key: quiet, controlled, and cohesive. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. The most saturated colour, #C7B332, is reserved to 2.3% of the surface, where it acts as a focal punctuation. At 49 units across the value scale, the palette keeps contrast readable without letting it dominate. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues. Palette 2 sits within the larger chromatic argument that Paul Hocker's complete body of work advances.