Niels Bjornson Moller distributes its values across the middle register, creating harmony without high contrast. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. All colours lean toward grey, building depth through value rather than colour punch. The highest-chroma note - #B48D56 - appears at just 1.9%, deployed as a precision accent against the quieter ground. Spanning 52 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 3 sits within the larger chromatic argument that Niels Bjornson Moller's complete body of work advances.