Nicolae Vermont is high in key: pale, luminous, and filled with optical air. Yellow, ochre, sienna: warm hues that Nicolae Vermont deploys as the palette's primary energy. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. The most saturated colour, #E8D2BD, is reserved to 12.1% of the surface, where it acts as a focal punctuation. Value range is moderate at 48 units - enough contrast for legibility, not so much as to fragment the tonal unity. This is palette 4 of Nicolae Vermont's sequence - a single chapter in a chromatic story told across many works.