Neo-Romanticism is high in key: pale, luminous, and filled with optical air. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. 35.5% of the palette belongs to #F9F9F3, a concentration that makes it the unmistakable visual centre. The most saturated colour, #594F2A, is reserved to 3.9% of the surface, where it acts as a focal punctuation. The value range spans 74 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively.