Mid-key values give Nathaniel Hone the Younger its characteristic quietness - nothing blazes, nothing disappears. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #DFD0A5 - appears at just 9.4%, deployed as a precision accent against the quieter ground. The full value range is 56 units: broad enough to build convincing three-dimensional form. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. In the context of Nathaniel Hone the Younger's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.