Mikola Pimonenko occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature is balanced: the palette pits warm earth against cool sky without declaring a winner. A restrained, mid-chroma palette: every hue is present and legible, but nothing shouts. The highest-chroma note - #D4A459 - appears at just 10.7%, deployed as a precision accent against the quieter ground. At 54 units across the value scale, the palette keeps contrast readable without letting it dominate. Together these qualities point to the open-air Impressionist method: recording light rather than local colour. This is palette 2 of Mikola Pimonenko's sequence - a single chapter in a chromatic story told across many works.