Michel-Barthelemy Ollivier keeps values measured and balanced, a hallmark of tonal restraint. Michel-Barthelemy Ollivier tilts toward cool - blues and silver-greys carry the structural weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #7F6C45 - appears at just 9.7%, deployed as a precision accent against the quieter ground. At 59 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 2 sits within the larger chromatic argument that Michel-Barthelemy Ollivier's complete body of work advances.