Meyer von Bremen keeps values measured and balanced, a hallmark of tonal restraint. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #5E92B4 - appears at just 2.3%, deployed as a precision accent against the quieter ground. At 61 units of value range, the palette has the tonal breadth to sustain complex spatial readings. Palette 2 sits within the larger chromatic argument that Meyer von Bremen's complete body of work advances.