Luke Fildes dwells firmly in the shadows, with no more than a whisper of light. Luke Fildes orchestrates warmth above all else - reds, ambers, and siennas take the lead. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #A88253 - appears at just 1.0%, deployed as a precision accent against the quieter ground. The value range of 45 units sits in the comfortable middle: enough depth, enough light, neither extreme. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 7 of Luke Fildes's sequence - a single chapter in a chromatic story told across many works.