Louis Aston Knight keeps values measured and balanced, a hallmark of tonal restraint. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #E7DDCC - appears at just 10.5%, deployed as a precision accent against the quieter ground. A value spread of 67 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 3 sits within the larger chromatic argument that Louis Aston Knight's complete body of work advances.