Across the literary painting movement, certain palette qualities recur - this distillation makes them visible at a glance. The value structure of literary painting is mid-key: quiet, controlled, and cohesive. Warm hues command this palette; it favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. Only 4.6% is devoted to #99522E, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 57 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Applied to contemporary work, these proportions immediately evoke the literary painting register.