The value structure of literary painting is mid-key: quiet, controlled, and cohesive. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #CDC0B1, is reserved to 10.2% of the surface, where it acts as a focal punctuation. 58 units of value range underpin the palette's structural clarity: the eye always knows where light falls.