The value structure of literary painting is mid-key: quiet, controlled, and cohesive. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Mid-saturation across the board: the palette has colour character without chromatic excess. #6FB129 at 29.9% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. At 55 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.