Values in literary painting rest in the mid-range - neither dramatically lit nor steeped in shadow. Warm hues command this palette; it favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #905339, is reserved to 4.3% of the surface, where it acts as a focal punctuation. From deepest dark to palest light, the palette traverses 63 units of the value scale - a span that creates natural depth.