Leopold Muller keeps values measured and balanced, a hallmark of tonal restraint. Yellow, ochre, sienna: warm hues that Leopold Muller deploys as the palette's primary energy. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. The highest-chroma note - #ECC4A4 - appears at just 9.1%, deployed as a precision accent against the quieter ground. A value spread of 58 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. This is palette 3 of Leopold Muller's sequence - a single chapter in a chromatic story told across many works.