Konstantin Kryzhitsky occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. Only 5.5% is devoted to #625132, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 58 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that Konstantin Kryzhitsky's complete body of work advances.