The value structure of Juan Gris is mid-key: quiet, controlled, and cohesive. Juan Gris tilts toward cool - blues and silver-greys carry the structural weight. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. #1D61C4 at 20.5% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. A value spread of 73 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 2 sits within the larger chromatic argument that Juan Gris's complete body of work advances.