Values in Joseph Magnus Stack rest in the mid-range - neither dramatically lit nor steeped in shadow. Joseph Magnus Stack tilts toward cool - blues and silver-greys carry the structural weight. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #4C451F - appears at just 10.7%, deployed as a precision accent against the quieter ground. At 57 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 2 sits within the larger chromatic argument that Joseph Magnus Stack's complete body of work advances.