Josefa de Obidos works almost entirely in the lower half of the value scale, privileging depth over brilliance. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #9E612C - appears at just 5.6%, deployed as a precision accent against the quieter ground. At 61 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 5 sits within the larger chromatic argument that Josefa de Obidos's complete body of work advances.