John William Godward is strongly light-biased - shadow is suggested rather than declared. Warmth dominates - the palette of John William Godward leans heavily on the yellow-orange-red arc of the colour wheel. All colours lean toward grey, building depth through value rather than colour punch. The highest-chroma note - #73343F - appears at just 4.0%, deployed as a precision accent against the quieter ground. At 54 units across the value scale, the palette keeps contrast readable without letting it dominate. In the context of John William Godward's full range of palettes, group 2 represents one movement in an ongoing chromatic dialogue.