The palette of John White Alexander sits in the lower register of the value scale - dense, contained, and weighted. Temperature is cool-dominant, with blue and green families claiming the largest areas. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. #3E2B20 delivers the chromatic peak at only 9.3% - a small shot of colour with outsized visual impact. 57 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 5 sits within the larger chromatic argument that John White Alexander's complete body of work advances.